Family dynamics can be challenging, even under the best of circumstances. When the worst happens, families can either rally or fall apart. Or both, in the case of Chicken & Biscuits.
The complex and nuanced dynamic of a dysfunctional yet inherently loving family are masterfully captured in the funny, sweet, and touching play, written by Douglas Lyons, and directed by DeMone Seraphin for Virginia Repertory Theatre.
This dream cast sparkles in its portrayal of a pastor’s family as they gather to celebrate the life of the recently deceased patriarch at his church. The wounds they wear on their sleeves are raw and apparent, and communicated with little reservation, great emphasis, and to our great amusement.
The fragmented relationships of sisters Baneatta Mabry (Cynthia F. Carter), Beverly Jenkins (C. Kelly Wright), and Brianna Jenkins (Desiree Roots) are central to the family dynamic and this story. The dysfunction plays out with the next generation, as we observe Mabry siblings Kenny (Brandon Alvion) and Simone (Shelby Marie Edwards) similarly at odds. This toxic cocktail sets the backdrop for the one, or possibly two, explosive secrets that are revealed at the service.
Though the sibling relationships are strained, the family otherwise seem to enjoy relatively healthy relationships elsewhere. Baneatta’s husband Reginald Mabry (Dale Heiskill), and Kenny’s partner Logan (Jeffrey Allen Sneed) do their best to offer support and encouragement.
Chicken & Biscuits is a relatable narrative because the story feels familiar to many relationships within and outside of families. Old and new issues and disagreements fester when ignored, and the people who should be there for us feel miles away when we need them the most. Each character in this beautifully directed play is portrayed with so much integrity and authenticity, it’s difficult to believe that they are a cast of actors. Even the minor role of churchgoer (Keisha R. Wallace) was performed to pure believability and delight.
And though Chicken & Biscuits is not a musical per se, the vocals from Carter, Heiskill, and daughter La’Trice Jenkins (Tyandria Jaaber) were outstanding and energizing. Comedic performances by Wright and Sneed were especially notable, providing many laugh out loud moments. Scenic design (Chris Raintree) was also excellent, providing the beautiful and simple setting of the various parts of the church to set the stage for this tale.
This engaging and touching play is well worth seeing, for teenagers and older. Catch Chicken & Biscuits at Virginia Repertory Theatre until October 30. For showtimes and tickets, go here.
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For an exclusive conversation in Just Joan: RVA Storyteller with Chicken & Biscuits director DeMone Seraphin, go here.
